When it comes to finding the best lenses for your Red Komodo camera, it can be overwhelming to navigate through the vast array of options available on the market. As a filmmaker, you want to make sure that you choose the right lenses that will help you achieve the desired cinematic look and feel for your project.
Here are five key points to consider when searching for lenses for your Red Komodo camera:
1. Sensor Size: The sensor size of your camera is crucial in determining the appropriate lenses for your Red Komodo. The larger the sensor, the wider the field of view, and the more light the lens can capture. Make sure to choose lenses that are compatible with the sensor size of your camera.
2. Focal Length: Focal length is the distance between the lens and the sensor when the lens is focused at infinity. It determines how much of the scene you can capture and how much of a zoom effect you can achieve. Consider the type of shots you want to capture and choose lenses with the right focal length.
3. Aperture: The aperture determines how much light can enter the lens and reach the camera sensor. A larger aperture allows more light and is ideal for low-light situations. However, wider apertures also result in shallower depth of field, which can be a creative choice or a limitation depending on your project's requirements.
4. Lens Mount: Make sure that the lenses you choose are compatible with the lens mount of your Red Komodo camera. The most common lens mounts for the Red Komodo are the Canon RF mount and the PL mount.
5. Budget: Lenses can be a significant investment, and it's essential to consider your budget when choosing the right lenses for your Red Komodo. Determine your budget and prioritize the features that are most important to your project.
In summary, when looking for lenses for your Red Komodo camera, consider the sensor size, focal length, aperture, lens mount, and budget. By keeping these key points in mind, you can choose the best lenses for your project and achieve the desired cinematic look and feel.
10 Best Lenses For Red Komodo
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1. Meke 35mm T2.1 Cinema Lens For Ef-Mount Cameras: C200, C300 Ii, Red Komodo, Bmpcc 6k, Z Cam E2-S6, Bmpcc6k Pro.
The MEKE 35mm T2.1 Super 35 Prime Manual Focus Cinema Lens is a remarkable addition to the world of cinematography. This lens is designed to be compatible with EF-Mount Cine Cameras, such as the C200 C300 II, RED Komodo, BMPCC 6K, Z CAM E2-S6 BMPCC6K Pro, and other similar models.
One of the standout features of this lens is its very long (270º) focus throw. This means that users have a great deal of control over their focus, allowing them to capture images with precision and accuracy. The lens also delivers images with smooth, circular bokeh and little to no focus breathing, creating a truly cinematic look.
The angle of view on Super 35 cameras is impressive as well. Users can expect a diagonal view of 48.2°, a horizontal view of 40.8°, and a vertical view of 27.8°. This accommodates more vision for the film, allowing filmmakers to capture more of the scene they are shooting.
With a minimum focusing distance of 48cm, the MEKE 35mm T2.1 Super 35 Prime Manual Focus Cinema Lens is capable of delivering sharp and clear video. The lens is constructed with 12 elements in 10 groups and features a multi-layer coating, ensuring that images are of the highest quality.
The wide aperture of T2.1 is another impressive feature of this lens. It is suitable for landscape and portrait shooting, providing users with the ability to capture stunning images in a variety of settings. The lens also adopts precious glass with high refractive index and low dispersion, resulting in 6K high resolution and sharper imaging.
In summary, the MEKE 35mm T2.1 Super 35 Prime Manual Focus Cinema Lens is a top-of-the-line product for cinematographers who demand the best. Its precise focus control, smooth bokeh, and wide aperture make it an excellent choice for shooting in a variety of settings. With its high-quality construction and impressive image quality, this lens is a must-have for any serious filmmaker.
2. Meke 25mm T2.1 Cinema Lens For Ef-Mount Cine Cameras (Canon, Red, Bmpcc, Z Cam)
The MEKE 25mm T2.1 Super 35 Prime Manual Focus Cinema Lens is a high-quality lens compatible with EF-Mount Cine Cameras such as Canon C200 C300 II, RED Komodo, BMPCC 6K, Z CAM E2-S6, and BMPCC 6K Pro. This lens is designed to deliver smooth and circular bokeh with little to no focus breathing, making it perfect for professional film-making.
The lens comes with a very long (270º) focus throw, allowing for precise and accurate focusing. It also has a minimum focusing distance of 35cm and lens construction of 13 elements in 10 groups, with a multi-layer coating that delivers sharp and clear video. The wide aperture of T2.1 makes it ideal for landscape and portrait shooting.
The MEKE 25mm T2.1 Super 35 Prime Manual Focus Cinema Lens has an angle of view on S35 cameras of Diagonal: 64.2°, Horizontal: 53.2°, Vertical: 41°, which accommodates more vision for the film. The lens adopts precious glass with high refractive index and low dispersion, resulting in 6K high resolution and sharper imaging.
This cine lens is perfect for professional filmmakers who need a reliable and high-quality lens for their film-making needs. It offers a wide aperture, long focus throw, and high resolution, making it perfect for capturing stunning visuals. With its compatibility with various EF-Mount Cine Cameras, it is a versatile and valuable addition to any filmmaker's equipment.
3. Tilta V-Mount Power Module For Red Komodo Type Ii (Tactical Gray) | Ta-T08-Amv2
The Tilta V Mount Advanced Power Distribution Module for RED Komodo Type II (Tactical Gray) is an accessory designed to provide safe power and enhanced communication for your RED Komodo camera. This product has been approved by RED, ensuring its compatibility with the camera and its accessories.
One of the most useful features of this power distribution module is its ability to display the remaining battery life of your V-Mount batteries. This means you can easily monitor the power level and avoid unexpected shutdowns during shooting.
The module's modular design allows you to easily swap between horizontal or vertical battery plates. This provides flexibility in your setup and allows for a more streamlined setup.
In addition to the basic power distribution and battery monitoring functions, this module also provides expanded functionality via additional ports. This offers flexibility for run stop and timecode, making it easier to synchronize multiple cameras and audio equipment.
Finally, the Tilta V Mount Advanced Power Distribution Module allows you to shoot longer with higher capacity Gold or V-Mount batteries. This is especially useful during long shoots or when you need to shoot in remote locations where power sources may be limited.
Overall, the Tilta V Mount Advanced Power Distribution Module for RED Komodo Type II (Tactical Gray) is a highly useful accessory for any RED Komodo owner who wants to ensure safe and reliable power for their camera. With its modular design, expanded functionality, and compatibility with V-Mount batteries, this product offers the flexibility and convenience needed for professional filmmaking.
4. Ef-R3 Pro Lens Mount Adapter For Eos Ef/ef-S Lens To Eos R Mount Cameras With 0.71x Speed Booster And Auto Focus. Compatible With C70 And Red Komodo As Well As Eos R, R3, R5, R6, R7, And R10.
The EF-R3 Pro Lens Mount Adapter 0.71x Speed Booster Auto Focus Lens Adapter Ring is a high-quality accessory for photographers who want to use their EF and EF-S series lenses on EOS R, RP, R5, R6, R7, R10, C70, and RED Komodo cameras. This adapter is designed to perfectly work with these cameras and lenses, providing users with the ability to capture stunning, high-quality images.
One of the standout features of the EF-R3 Pro is its use of a Split Locking Collar. This feature allows the adapter to be securely attached to the EOS C70 camera using four screws, in addition to the flanges of the RF mount. Once mounted, the adapter maintains a similar angle of view of your full-frame lenses on the Super 35mm sensor, while boosting the speed of the attached lens.
The EF-R3 Pro also provides fast auto-focusing speed and the actual aperture of the lens can be controlled directly from the camera side. Meanwhile, data of shutter, aperture, and ISO are indicated on the camera. This feature allows users to have complete control over their images, ensuring that they get the perfect shot every time.
Another great feature is the built-in image stabilizer, which makes focus more accurate and better helps you take clear pictures. This feature is particularly useful when shooting in low-light conditions or when using longer lenses.
The EF-R3 Pro also uses gold-plated PIN to transmit signal, greatly enhancing its transmission performance. This feature ensures that users can capture high-quality images, without any loss of signal or degradation in quality.
Overall, the EF-R3 Pro Lens Mount Adapter 0.71x Speed Booster Auto Focus Lens Adapter Ring is an excellent accessory for photographers who want to use their EF and EF-S series lenses on EOS R, RP, R5, R6, R7, R10, C70, and RED Komodo cameras. With its fast auto-focusing speed, aperture control, image stabilizer, and signal transmission performance, this adapter is sure to provide users with the ability to capture stunning, high-quality images.
5. Meke 50mm T2.1 Cinema Lens For Ef-Mount Cameras Including Canon C200, Red Komodo, Bmpcc 6k, Z Cam E2-S6 And Bmpcc 6k Pro.
The MEKE 50mm T2.1 Super 35 Prime Manual Focus Cinema Lens is a high-quality lens specifically designed for EF-Mount Cine Cameras. It is compatible with a range of cameras including the Canon C200 C300 II, RED Komodo, BMPCC 6K, Z CAM E2-S6 BMPCC 6K Pro, and more.
One of the standout features of this lens is its incredibly long 270º focus throw, which allows for extremely precise focusing. The lens also delivers images with smooth, circular bokeh and little to no focus breathing. This makes it ideal for filmmakers who require a high degree of control over their footage.
The angle of view on S35 cameras is also impressive, with a diagonal view of 34.7°, a horizontal view of 28.1°, and a vertical view of 21.2°. This means that the lens can accommodate more of the filmmaker's vision, making it easier to capture the shot they want.
The minimum focusing distance of 58cm is another feature that makes this lens particularly versatile. It allows the filmmaker to get up close to their subject, while still delivering sharp and clear video. The lens construction is 12 elements in 9 groups, with a multi-layer coating, which also contributes to the clarity of the footage.
The wide aperture of T2.1 is suitable for landscape and portrait shooting, allowing the filmmaker to capture stunning footage in a variety of settings. The lens adopts precious glass with high refractive index and low dispersion, which ensures that the 6K resolution and sharper imaging is maintained throughout.
Overall, the MEKE 50mm T2.1 Super 35 Prime Manual Focus Cinema Lens is an excellent choice for filmmakers who require a high degree of control over their footage. Its long focus throw, smooth bokeh, and minimal focus breathing make it a standout choice, while its versatility and high-quality construction ensure that it delivers sharp and clear video in a range of settings.
6. Meke 75mm T2.1 Cinema Lens For Ef-Mount Cameras Compatible With Canon, Red, Bmpcc, And Z Cam.
The MEKE 75mm T2.1 Super 35 Prime Manual Focus Cinema Lens is a high-quality lens designed for EF-mount cine cameras that are compatible with Canon C200 C300 II, RED Komodo, BMPCC 6K, Z CAM E2-S6 BMPCC 6K Pro. This lens is perfect for filmmakers who are looking for a high-performance lens that delivers sharp and clear video with a smooth, circular bokeh and minimal focus breathing.
One of the standout features of this lens is its very long (270º) focus throw, allowing filmmakers to make precise adjustments to their focus. This makes it easier to capture the perfect shot, especially when shooting moving subjects.
The MEKE 75mm T2.1 Super 35 Prime Manual Focus Cinema Lens also has a wide aperture of T2.1, which is suitable for landscape and portrait shooting. This allows filmmakers to capture stunning images with a shallow depth of field, which is perfect for creating a cinematic look.
The lens construction is made up of 13 elements in 11 groups, with a multi-layer coating that ensures sharp and clear video. The minimum focusing distance of 58cm means that filmmakers can get up close to their subjects while still maintaining sharp focus.
In terms of angle of view, the MEKE 75mm T2.1 Super 35 Prime Manual Focus Cinema Lens has a diagonal angle of view of 23.9°, a horizontal angle of view of 19°, and a vertical angle of view of 14.6°. This allows filmmakers to accommodate more vision in their shots, making it easier to capture the perfect shot.
The S35 cine lens adopts precious glass with a high refractive index and low dispersion, which results in 6K high resolution and sharper imaging. This means that filmmakers can capture stunning images with incredible detail and clarity.
Overall, the MEKE 75mm T2.1 Super 35 Prime Manual Focus Cinema Lens is a high-performance lens that is perfect for filmmakers who are looking for a lens that delivers sharp and clear video with a smooth, circular bokeh and minimal focus breathing. With its wide aperture, long focus throw, and high-quality construction, this lens is a great investment for any filmmaker.
7. 100mm T2.1 Cinema Lens For Ef-Mount Cameras (C200, C300 Ii, Red Komodo, Bmpcc 6k, Z Cam E2-S6, Bmpcc6k Pro) With Manual Focus.
The MEKE 100mm T2.1 Super 35 Prime Manual Focus Cinema Lens for EF-Mount Cine Camera is a high-quality lens designed for use with a range of cameras, including the C200, C300 II, RED Komodo, BMPCC 6K, Z CAM E2-S6 BMPCC6K Pro, and others. This lens features a very long (270º) focus throw, allowing for precise control over focus, and delivers images with smooth, circular bokeh and little to no focus breathing.
One of the key features of this lens is its angle of view on S35 cameras, which is diagonal: 15.3°, horizontal: 12.6°, and vertical: 8.6°. This allows for a wider field of vision, accommodating more of the scene in the frame. The lens also has a minimum focusing distance of 0.9m, making it suitable for capturing close-up shots.
The lens construction is 13 elements in 7 groups, with a multi-layer coating that is capable of delivering sharp and clear video. The wide aperture of T2.1 is suitable for landscape and portrait shooting, allowing for a shallow depth of field and beautiful bokeh.
The MEKE 100mm T2.1 Super 35 Prime Manual Focus Cinema Lens uses precious glass with a high refractive index and low dispersion, which provides 6K high resolution and sharper imaging. This makes it an ideal lens for professional filmmakers who require high-quality video footage.
In summary, the MEKE 100mm T2.1 Super 35 Prime Manual Focus Cinema Lens is a versatile and high-quality lens that is perfect for use with a range of cameras. Its long focus throw, wide aperture, and high-quality construction make it an ideal choice for professional filmmakers who require precise control over focus and sharp, clear video footage.
8. Metal Lens Adapter For Canon Ef/ef-S Lens To Eos-R Cameras With Autofocus.
The Meike Metal Lens Adapter EF-EOSR Auto-Focus Mount Converter is a reliable and high-performing accessory that enables seamless compatibility between Canon EF/EF-S lenses and EOS-R, EOS-RP, R5, R6, R7, R10 C70, and RED Komodo cameras. This adapter is designed to extend the lens compatibility of these cameras, allowing users to utilize their existing EF/EF-S lenses with ease and convenience.
One of the key features of this lens adapter is its auto-focus capability, which is made possible by the electric contacts that connect the lens and the camera. This feature enables the adapter to support various functions such as Auto-Exposure, Auto-Focus, Automatic diaphragm, and Auto-Aperture of Canon EOS EF EFs Lens and EOS R Camera. With this adapter, users can expect smooth and accurate focusing with minimal effort, making it ideal for both amateur and professional photographers.
The Meike Metal Lens Adapter is also lightweight and comfortable to hold, making it easy to use for extended periods of time. It is also designed for easy mounting and removal, ensuring that users can quickly and easily switch between lenses as needed. This feature is particularly useful for photographers who need to quickly switch lenses during a photo shoot.
In addition to its auto-focus capability, this lens adapter also extends the lens compatibility of the EOS-R and EOS-RP cameras. With this adapter, users can use a wider range of EF/EF-S lenses, giving them greater flexibility and creative control over their photography. This feature is particularly useful for photographers who want to experiment with different lenses or who have a collection of EF/EF-S lenses that they want to continue using.
Overall, the Meike Metal Lens Adapter EF-EOSR Auto-Focus Mount Converter is a reliable and high-performing accessory that offers a range of features and benefits for photographers. With its auto-focus capability, lightweight design, and compatibility with a wide range of lenses and cameras, this lens adapter is a must-have accessory for anyone looking to expand their lens compatibility and enhance their photography.
9. Canon Ef To Rf Lens Mount Adapter With 0.71x Speed Booster For Canon Eos C70, R5, R6, And Red Komodo Cameras.
The EF-R3 Lens Mount Adapter is an innovative and versatile accessory that allows for seamless compatibility between Canon EF-mount lenses and RF-mount cameras. Designed to work with Canon EOS C70, RED Komodo, R5, and R6 cameras, this adapter ring enables photographers and cinematographers to use their favorite EF lenses on RF-mount cameras without sacrificing image quality or performance.
One of the key features of the EF-R3 adapter is its 0.71x speed booster function, which enhances the amount of light entering the lens and reduces the focal length by 0.71x. This results in improved image quality and better low-light performance, especially when shooting at wide apertures. Additionally, the focus reduction feature allows for a wider field of view and increased depth of field, making it easier to capture subjects in sharp focus.
The EF-R3 adapter also boasts advanced autofocus capabilities, including high-speed recognition of human faces, eyes, heads, bodies, and animals. This feature is particularly useful for portrait and wildlife photography, where capturing the subject in sharp focus is essential. Moreover, the adapter can transmit EXIF information such as aperture, shutter speed, ISO, and exposure data to the camera, allowing photographers to keep track of their settings and shooting data.
Another notable feature of the EF-R3 adapter is its built-in IS anti-shake technology, which effectively eliminates image ghosting and blur caused by motion or shaking when holding the camera. This feature is particularly useful for handheld shooting, especially in low-light conditions.
Overall, the EF-R3 Lens Mount Adapter is a must-have accessory for photographers and cinematographers who want to expand their creative options and take advantage of the full range of Canon EF-mount lenses on RF-mount cameras. Its advanced features and seamless compatibility make it an excellent choice for professionals and enthusiasts alike.
10. Meike 10mm T2.2 Cine Lens For Canon Rf Mount Cameras.
The Meike 10mm T2.2 Large Aperture Manual Focus Low Distortion APS-C S35 Format 6K Mini Prime Cine Lens is a high-quality lens that is compatible with Canon RF Mount Cameras EOS R, RP, R7, R10, C70, and Komodo. This lens is perfect for professional videographers who are looking for a reliable and durable lens that can deliver sharp and clear video.
One of the main features of this lens is its compatibility with RF mount cameras such as the Canon C70 and RED Komodo. This makes it an excellent choice for those who are using these cameras for their professional video work.
Another important feature of this lens is that it is a manual lens, which means that it requires the user to enable "M mode" or "Release without lens" in the setting of the camera. This allows the user to have more control over the focus, aperture, and other settings of the lens, which can be beneficial in certain situations.
The Meike 10mm T2.2 Large Aperture Manual Focus Low Distortion APS-C S35 Format 6K Mini Prime Cine Lens has a diagonal angle of view of 107°, a horizontal angle of view of 96°, and a vertical angle of view of 72°. The minimum focus distance is 0.3m, which makes it suitable for a wide range of shooting scenarios.
The lens construction of this lens consists of 15 elements in 12 groups, including 2 ASP. This construction allows the lens to deliver sharp and clear video with little to no distortion, even when shooting at high resolutions.
One of the most impressive features of this lens is its ability to deliver smooth, circular bokeh. This is achieved through the use of a 10-blade aperture, which creates a beautiful, natural-looking bokeh effect.
Overall, the Meike 10mm T2.2 Large Aperture Manual Focus Low Distortion APS-C S35 Format 6K Mini Prime Cine Lens is an excellent choice for professional videographers who are looking for a high-quality lens that can deliver sharp and clear video with minimal distortion. Its compatibility with RF mount cameras, manual focus, and beautiful bokeh make it an excellent choice for any professional videographer.
Best Lenses For Red Komodo FAQs
Are there any affordable lens options for the Red Komodo camera?
Yes, there are affordable lens options available for the Red Komodo camera. The camera has a Canon RF mount, which means that it can use a wide range of lenses from different manufacturers. Some affordable lens options for the Red Komodo include the Canon RF 35mm f/1.8 IS STM, the Sigma 45mm f/2.8 DG DN Contemporary, and the Tamron 24mm f/2.8 Di III OSD M1:2. These lenses offer good image quality and are priced reasonably, making them great options for filmmakers and content creators on a budget. It is important to note that while these lenses may be affordable, they still offer professional-level quality and capabilities. When choosing a lens for the Red Komodo, it is important to consider your specific needs and shooting style, as well as the type of content you will be producing.
Can you use EF lenses with the Red Komodo camera?
Yes, EF lenses can be used with the Red Komodo camera with the use of an EF to RF adapter. The Red Komodo camera features a Canon RF mount, which is different from the Canon EF mount used in most Canon DSLR and mirrorless cameras. However, there are several EF to RF adapters available in the market that allow the use of EF lenses with the Red Komodo camera. These adapters maintain the electronic communication between the lens and the camera, allowing for autofocus and aperture control. It is important to note that not all EF lenses may work as expected with the Red Komodo camera, as some may have compatibility issues or may not cover the full sensor area. It is recommended to do thorough research and testing before investing in an adapter or using EF lenses with the Red Komodo camera.
How do you choose the right lens for your desired shot with the Red Komodo camera?
Choosing the right lens for your desired shot with the Red Komodo camera depends on various factors such as the type of shot you want to take, the lighting conditions, and the distance between the camera and the subject. For example, if you want to capture a wide-angle shot, you might consider using a lens with a shorter focal length, such as a 16mm or 24mm lens. On the other hand, if you want to capture a close-up shot, you might consider using a lens with a longer focal length, such as an 85mm or 100mm lens. Additionally, you might also want to consider the aperture and the quality of the lens. A lens with a wider aperture will allow you to capture more light and create a shallower depth of field, while a high-quality lens will produce sharper and more vibrant images. Ultimately, choosing the right lens for your shot will require careful consideration of these factors to achieve the desired result.
What are the best lens options for the Red Komodo camera?
As with any camera, the best lens options for the Red Komodo will depend on the specific needs and preferences of the user. However, some popular choices among professionals include the Canon RF mount lenses, such as the RF 24-70mm f/2.8L IS USM and the RF 50mm f/1.2L USM. These lenses offer excellent image quality and performance, and are compatible with the Red Komodo with the use of an adapter.
Other options include lenses from Sigma, such as the Sigma 18-35mm f/1.8 DC HSM Art and the Sigma 50-100mm f/1.8 DC HSM Art, which are known for their sharpness and versatility. Additionally, the Komodo's PL mount allows for the use of high-end cinema lenses from manufacturers such as Zeiss and Cooke.
Ultimately, the best lens options for the Red Komodo will depend on the user's shooting style, budget, and specific needs. It's important to do research and test out different lenses to find the perfect fit for your needs.
What are the differences between cine lenses and photo lenses for the Red Komodo?
Cine lenses and photo lenses for the Red Komodo differ in several ways. First, cine lenses are designed for video production and feature a long focus throw, which allows for smooth and precise focus pulling. They also have a consistent aperture throughout the zoom range, allowing for easy exposure adjustments while filming. In contrast, photo lenses have a shorter focus throw and variable aperture, making them better suited for still photography.
Additionally, cine lenses have a larger image circle, which covers the full frame sensor of the Komodo, while many photo lenses only cover smaller APS-C or Micro Four Thirds sensors. This means that cine lenses provide a wider field of view and better image quality when used with the Komodo. Finally, cine lenses are typically built with more durable materials and feature geared focus and aperture rings, which makes them easier to use with follow focus systems and other professional video accessories.